Minerva #6

Color can act like a spotlight when it’s tied to a narrow band of brightness. In this variation, only a small slice of the scale maps into color, and the rest falls back toward black. It isn’t a dark piece, but the contrast makes the colors read as shapes rather than transitions — a few lines sharpen, others fade, and the structure shows a different face. I start these as monochrome sketches; the color sits on top, more decorative than structural, but it still reveals things that were quieter before.