I have stopped describing the algorithms that generate these. I feel every one of these images deserves some words. But what is there to say? When I try to explain something, I end up just stating the obvious. So what follows is mostly just pictures without words.

If you have any questions about anything, just ask in the comments. I will explain as best I can.

I love these messy chaotic images. I know they are not for everyone's taste. But I find them fascinating. I encourage you to look closely and discover the fine details.

I mentioned that I consider these constructive. That I apply selected formulas, and colors, to achieve a desired effect. I am getting better at doing that, but often the effect comes with side effects.

Here I started with everything expanding out radially from the lower left quadrant. Then I got the color dialed in. Mostly black and white, which makes the blue pop, with a little complementary rust on the left. Then I got the details on the left side, the streaking, the contrails, the 'eye of the storm'.

After many attempts, either I gave up, or after studying it long enough I discovered it was actually perfect as it, or the universe was telling me this is the way it must be. In truth, now I have no desire to change any of it.

My program is set up to apply effects (formulas) globally. I am working on modifications to apply effect to isolated areas. It is not there yet, and I am having plenty of fun as-is.

The faux-fractal formulas of the previous series, along with some new ones, become tools of algorithmic art. They are operations to apply to create an effect.

I have stopped posting coordinates and formulas. In fact I have stopped keeping track of them. I still have the program code for all of these. If you are interested, just ask in the comments and I will try to provide information.

Today I start posting the Storm series.

In the previous series, Sequence Fractals V, I declared that any mathematical significance was gone. I continued to post formulas and images with "if you do this then that happens" type of commentary. Leaning towards the explore side of the explore/construct scale.

Now I move to the construction side of the scale and embrace the chaos. "Storm" seems like the perfect theme.

$ z^{2^{s_i}}+c$
s₀=1.0, s_i+1=(0.6+0.8i)*s_i
Center: 0+0i; Zoom = 0.5

I am going to close the Sequence Fractal series (plural) for now. I may add to it later, or start a part VI. I started the series on April 5, Sequence Fractals Introduction #1. It is time to take a break.

I have not followed up on few things in the introduction. I leave these behind with the intention to return someday. Although I have to confess that much of my "do someday" list will migrate to the "never got around to it" list. Here are a few of the things in the introduction that I will try to return to:

The above mentioned Sequence Fractals Introduction #1 directly draws a sequence.

Sequence Fractals Introduction #11 and Sequence Fractals Introduction #12 uses the sequence in the coloring algorithm on a normal fractal calculation.

Sequence Fractals Introduction #17 uses a sequence of functions rather the a sequence of numbers. (Yes in a mathematical sense there is an equivalence between numbers and functions. But the different starting points lead you down different paths.)

I said yesterday Sequence Fractals Part V #38 that I was going to continue with more artistic images derived from the formulas in this series. I will be posting them, but not calling them sequence fractals, or any other kind fractal. I am not sure what to call them, but they have certainly moved away from fractals to generative art or abstract art. I will not (usually) post the underlying formula. It is a distraction and a lot of manually copying number from one program to another for me. If you are every curious whether some was generating with a formula, and want information on it, just send me and email or ask in a comment.

To close, I reimagine Sequence Fractals Part V #18. Some small changes remove the trash in the upper right. Actually not removed, just painted over so it blends in. A nice transition from a raw fractal-like imaging to a more artistic interpretation.

$ z^{2^s_i}+c$
s₀=-0.01+i, s_i+1=(0.71+0.71i)*s_i
Center:473+.005i; Zoom = 1

This one is similar to yesterday's post, Sequence Fractals Part V #37. Same formula, a different starting point for the spiral sequence.

The upper left is a mess. Most of the rest of the image is populated with repeating, slightly morphing shapes. There seems to be a lot of potential. In fact, this is close to something that I would just say "done" and publish it.

This one is the last of the older pictures that were created with a "fractal mindset". That is, more or less raw pictures intended to give some insight into the math. I have several more queued up that I created with the "art mindset". The formulas create a background, that I use as inspiration to build a piece of abstract art. Many of those are derived from today's formula.

$ z^{2^s_i}+c$
s₀=1+2i, s_i+1=(0.71+0.71i)*s_i
Center0.310-0.023i; Zoom = 2

Like yesterday, Sequence Fractals Part V #26, the sequence is following a logarithmic spiral outward. The iteration formula has been modified, the stacked exponents are gone and now the sequence value is directly the exponent of z.

The white dots are an artifact of the coloring algorithm. As usual there is too much going on here. The left and right side are too different. Perhaps with some work, maybe a lot of work. the two sides could represent a contrasting duality. Dots vs rainbows. Of course to highlight that contrast, other aspects should be consistent throughout the frame. It is almost there, if I stare at it long enough.

$ z^{2^s_i}+c$
s₀=1, s_i+1=(0.8+0.6i)*s_i
Center:0; Zoom = 0.4

I tried to just post yesterday's image, Sequence Fractals Part V #35, and let it go. I tried and couldn't. So here is another, more artistic, interpretation of the same formula.

$ z^{2^s_i}+c$
s₀=1, s_i+1=(0.8+0.6i)*s_i
Center:0; Zoom = 0.4

Back to the older pictures. Here the sequence starts out small, then grows, following a logarithmic spiral outward.

$ z^{2^s_i}+c$
s₀=1, s_i+1=(-0.8+0.6i)*s_i
Center:-0.493-0.255; Zoom = 51

Yesterday's, Sequence Fractals Part V #33, comments work just as well for today's picture, so I will not repeat them. Same limited palette. Same lacy patterns. But more drama and a feeling on conflict in today's picture

$ z^{2^s_i}+c$
s₀=1, s_i+1=(-0.8+0.6i)*s_i
Center:-0.597-0.183; Zoom = 25

I made yesterday's image five months ago. This one was made a few days ago, as I was writing the words for yesterday's post. I have six of the older pictures from back when I was more interested in the math than artistic composition. I am posting them not as finished product, but as something study and find potential.

Of course, with my short attention span, as soon as I mention something in a post, I find myself playing with those ideas rather than finishing the post. And hence the alternating last spring and last week pictures.

Here is a zoom into the lower right of yesterday's picture, Sequence Fractals Part V #32. After some searching, then careful framing and small tweaking of parameters, I came up with this interesting piece.

$ z^{2^s_i}+c$
s₀=1, s_i+1=(0.8+0.6i)*s_i
Center:0; Zoom = 1.6

The sequence stays on the unit circle, |s_i| = 1, but does not repeat or converge.

Another early experiment. There is too much color in the center. It needs a reduced palette. The left and right sides have lacy triangles that vaguely resemble a Sierpinski Triangle.

$ (z+c)^{s_i}$
s₁=1, s_i+1=(0.2+0.5i)*s+(0.5+0.2i) (repeat after 10 steps)
Center:5.681-4.541i; Zoom = 328

After writing the words for yesterday's post, Sequence Fractals Part V #30, I zoomed into the right side. There is still a lot going on, but now there is also some consistency. The fractal like repeating of gently morphing shapes invites you to explore the details, while the overall white/blue/brown background anchors the frame.

$ (z+c)^{s_i}$
s₁=1, s_i+1=(0.2+0.5i)*s+(0.5+0.2i) (repeat after 10 steps)
Center:5.188-4.49i; Zoom = 1.6

When I created this, I was still trying to figure out the math. The location is a relatively long distance from the origin. Composition wise, there is too much going on here. No overall cohesion. But many areas are screaming out for magnification.

$ (z+c)^{s_i}$
s₁=1, s_i+1=(0.9+0.1i)*s_i (repeat after 22 steps).
Center:-0.5+.2i; Zoom = 0.05

Yesterday's picture, Sequence Fractals Part V #28, had an escape radius of 100. That is a good number for polynomial fractals, but not here. The mathematical reason for having an escape reason is invalid when you leave the realm of polynomials.

With this formula, the escape radius is just another parameter to tweak to create different effects. Compared to yesterday's image, this one is zoomed out and given a much larger escape radius, and larger max iterations. The palette was altered to create the white background.

$ (z+c)^{s_i}$
s₁=1, s_i+1=(0.9+0.1i)*s_i (repeat after 22 steps).
Center:-0.2-0.2i; Zoom = 0.25

Now let's switch to non-real exponents. Back in Sequence Fractals Part V #19, I said that if either the real or imaginary part of w is irrational, then z^w has infinitely many values. Actually z^w has infinitely many values if the angle is irrational (as in today's formula). I suspect this is also true anytime the imaginary part of w is non-zero. (But I am too lazy to verify that right now.) So today's equation is one of those where at each step we pick out one of an infinite number of choices for the exponentiation.

I do not wake up each morning, create a picture, write these words and make a blog post. That is only an illusion I create by scheduling the posts to come out at midnight each day. The next few pictures where created very early during the sequence fractal series. This one was created back in May. I am writing these words just a few days (about a week) before publishing the post.

I spent the last few months on the polynomial (positive integer exponent) variations. I put together a rough draft for this non-integer exponent set during that time. Of course I threw out the rough draft and have just been winging it.

Why do I bother to mention this? At the time I created these I was still trying to figure out and demonstrate some mathematical truth in the formula. So my mindset today is substantially different now than it was when I made the picture.

Still, it is part of the story, they take a long time to render, and I do not want to waste it.