Proteus #9

Proteus is a sea‑dweller who could change his shape at will. Some call him the son of Poseidon, others describe him more as a servant or keeper of the changeable sea. He was also a seer, though one who revealed the future only when held fast.

I can add colours to the chameleon,
Change shapes with Proteus for advantages,
And set the murderous Machiavel to school.

Henry VI, Part 3, Act 3, Scene 2., William Shakespeare

Proteus #10

Almost everything here is hidden beneath a black cover — not background, but a deliberate act of erasure. What breaks through does so with pressure, like light forcing its way past something meant to contain it.

Proteus #11

A few more with yesterday's theme follow.

Proteus #12

Proteus #13

Proteus #14

The cover changes color, but as with the previous pieces, the act of hiding remains.

Proteus #15

Now the surface itself begins to move.

Proteus #16

The grid doesn’t disappear; it re‑forms under pressure. The distortion becomes its own geometry — a surface remembering what it used to be.

Proteus #17

Proteus #18

The surface bends and rises — the grid no longer flat but hilly, wavy, alive. Geometry imitates terrain.

Proteus #19

Proteus #20

Proteus #21

Proteus #22

The surface folds inward until it becomes a sphere — the distortion now self‑contained. The sphere reads as both containment and explosion, holding tension between collapse and release.

Proteus #23

Everything turns inward, drawn toward a single point. Structure gives way to motion — a spiral of collapse and release.
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