Proteus #13
Proteus #14
The cover changes color, but as with the previous pieces, the act of hiding remains.
Proteus #15
Now the surface itself begins to move.
Proteus #16
The grid doesn’t disappear; it re‑forms under pressure.
The distortion becomes its own geometry — a surface remembering what it used to be.
Proteus #17
Proteus #18
The surface bends and rises — the grid no longer flat but hilly, wavy, alive.
Geometry imitates terrain.
Proteus #19
Proteus #20
Proteus #21
Proteus #22
The surface folds inward until it becomes a sphere — the distortion now self‑contained.
The sphere reads as both containment and explosion, holding tension between collapse and release.
Proteus #23
Everything turns inward, drawn toward a single point.
Structure gives way to motion — a spiral of collapse and release.
Proteus #24
Over the next three, the color shifts across a quiet, troubled pond.
Proteus #25
