Minerva #5
Some patterns shift in unexpected ways when you change how the brightness behaves. This one started with a monochrome sketch, Minerva #3, then doubling the values and wrapping them back around to create a sharp break in the middle of the scale — a contrast that wasn’t there before. It’s still the same underlying pattern, just seen through a different lens.
For the nerds: (v is value, the V in HSV) $$ v \to 2.0 * v \bmod 1.0$$
Minerva #6
Color can act like a spotlight when it’s tied to a narrow band of brightness. In this variation, only a small slice of the scale maps into color, and the rest falls back toward black. It isn’t a dark piece, but the contrast makes the colors read as shapes rather than transitions — a few lines sharpen, others fade, and the structure shows a different face. I start these as monochrome sketches; the color sits on top, more decorative than structural, but it still reveals things that were quieter before.