This one pushes the density as far as it can go. The grid is still there, but it’s buried under a swarm of small, related details — each following the same rules, none repeating exactly. It sits right on the boundary between pattern and texture: the eye tries to find structure, but the structure keeps slipping away. The result feels less like a design and more like a surface, something that could keep expanding without ever settling into predictability.

All the density from the last piece is here too, but stripped to its structure. The result leans toward ornamental complexity — a field of small, related decisions that never quite settle into a repeatable pattern. It’s technically generative, but it doesn’t behave like most algorithmic art, which tends to resolve into clean, predictable motifs. This one refuses that clarity. It follows the rules, yet it never becomes a pattern; it stays in that charged space where order starts to feel like texture.

After pushing the density to its limit, I’m dialing back to a middle range. These pieces explore the space between order and overload — still intricate, but with room to see how the geometry behaves. Each one tests a different possibility inside that space: how far the pattern can stretch, how color changes the sense of depth, how symmetry holds even when the rules start to bend. It’s a short pause before moving on, and pushing other boundaries..